From August 24 to September 22, 2024, Gallery Common is pleased to present “Eudaemonia,” a group exhibition of twelve upcoming Japanese artists: Souya Handa, Yuuka Ishii, Chiaki Kainuma, Taro Maruyama, Rika Minamitani, Tomohiro Muramatsu, Satoshi Okano, Tomu Osaki, Gorilla Park, Hinako Suda, Hiro Tsuchiya, and Ryota Watanabe. Reflecting the increasingly bizarre nature of our current times with wit and eccentricity, these diverse artists congregate for the first time to continue the age-old quest for human purpose and fulfillment.
Eudaemonia is the Greek term for the Aristotelian concept of “the good life”: the process of realizing one’s true nature by living a life guided by virtue and reason. The idea emphasizes that one should live in a way that is most suited to one’s unique skills in order to achieve well-being, fulfillment, and happiness.
The idea strikes one as quaint now, some 2,400 years after Aristotle preached his philosophy. The things which Aristotle warned would impede us from achieving true fulfillment– money, fame, power, pleasure– are the very things we now idolize. A bleak observer might come to the conclusion that the concept of eudaemonia itself has become irrelevant in a world that seems to be rooted in ego and chaos.
Attaining eudaemonia within this absurd landscape seems nigh impossible; and yet, the desire to achieve some higher end goal by discovering the true nature and potential of oneself and the world continues to fuel the artistic pursuit. It seems we have come full circle and arrived, once more, back at the original question: what is the point of making this stuff?
The works in this show straddle the event horizon between naiveté and irony, narrative and nonsense. Fragmented and surreal, bizarre yet humorous, dissatisfied yet hopeful, they reflect the complex emotions that define our current generation; but perhaps, at their core, they still seek the same things as those virtuous, antiquated artworks of 350 BC. The landscape has changed, but the human struggle for meaning and fulfillment continues.
So what do any of these artworks have to do with eudaemonia? Each of these artists confronts the question in their own way. We hope you’ll find more than just one answer here.
Yuuka Ishii
Born in 1995 in Kagawa and currently based in Tokyo, Yuuka Ishii creates paintings featuring motifs and brushstrokes reminiscent of stereotypical Western paintings, often with symbolic elements such as English alphabet letters, playing cards, and piano scores. Using self-devised methods to select references from the vast amount of paintings that already exist, she examines the formation process of painting and the myriad possible combinations that can arise from her techniques. Ishii graduated from the Tokyo University of the Arts in 2022 with a BFA in Oil Painting. Recent major exhibitions include "Kōfuku santan sekai: Dat + Yuka Ishii + Koshi Yamawaki + O JUN", Mizuma Art Gallery (Tokyo, 2024); "Dai Gyakusou", same gallery (Tokyo, 2024); “Yuka Ishii and Taro Maruyama: ENCOUNTER", Mitsukoshi Contemporary Gallery (Tokyo, 2022), among others.
Tomu Osaki
Born 1984 in Fukuoka Prefecture, Japan, and currently based in Tokyo and Fukuoka, Tomu Osaki combines contrasting emotions and situations within a single canvas, using a collage-inspired approach to intermix a variety of techniques, images, and forms. Major exhibitions include "Colorless green ideas sleep furiously", AIR motomoto (Kumamoto, 2024); "8 no Gishiki to 8nin no Ouji”, Marugo deli Ojigadake (Okayama, 2024); and "ANB Open Studio vol.7 『プ(ブ)ラ(ネ)ズ(グ,フ,ウ)マ(ー)』 (ANB Tokyo, 2022); “Satellite^Satellite", HOTEL ANTEROOM KYOTO (Kyoto, 2022); and "Fwd: Good Night Image", BnA Alter Museum (Kyoto, 2020), among others.
Satoshi Okano
Born in 1979 in Saitama, Japan and currently based in Tokyo, Okano’s paintings are attempts at reproducing images he has seen on monitors and screens, often referencing Japanese pop culture of the 80s and 90s. Okano’s practice makes use of a diverse array of materials from oil paint and watercolor to pencil and acrylic, and in recent years, he has incorporated self-developed techniques that utilize airbrushes, stencils, and nets. Okano received his BFA in Oil Painting from Musashino Art University. Recent activities include the solo exhibitions “ROLES”, Rod Gallery (Tokyo, 2024); “SCENES”, Kameido Art Center (Tokyo, 2023); “CONY”, Clear Gallery (Tokyo, 2022); and a group exhibition at BLUEY BLUEY (London, 2024), among others.
Chiaki Kainuma
1995年東京生まれ。2018年多摩美術大学絵画学科油画専攻卒業。雑コラやVaporwaveなどのネットカルチャーに影響を受けながら資本主義社会での生活をテーマに、しばしば皮肉やユーモアを交えた絵画作品を制作している。主な個展に、「KAINUMA and the CHOCOLATE FACTORY」亀戸アートセンター(東京、2024)、「システム設定神話 らくえんきょう」新宿眼科画廊(東京、2023)、「超カイヌマ原画展~ザ・ナイーブ・サンクチュアリ~」新宿眼科画廊(東京、2021)、グループ展に、「EPIC PAINTERS Vol.13」THE blank GALLERY (東京、2024)などがある。
GORILLA PARK
Born in 1998 in Saitama, Japan, GORILLA PARK’s works traverse between sculpture, relief, and two-dimensional imagery, often contrasting figurative forms with seemingly abstract shapes. Painting simple lines reminiscent of ancient wall paintings onto base panels of intricate wood carvings, GORILLA PARK’s layered images confront the viewer with questions of meaning and symbolism. GORILLA PARK completed his BFA in Sculpture at Musashino Art University in 2021, and received his MFA in Sculpture from Tokyo University of the Arts in 2023. Recent solo exhibitions include “Uchujin no Yurei ni Attemitai” (GALLERY TAGA2, Tokyo, 2021) and the group exhibition “Mai Mappu de Rain to Sheipu wo Byoga Suru” (Taka Ishii Gallery, Maebashi, 2023). He was selected as an overseas travel awardee for the Contemporary Art Foundation Award 2020, and received the ART AWARD TOKYO MARUNOUCHI 2021 Hasegawa Shin Award in 2021.
Hinako Suda
Born in 1998 in Tokyo, Japan, Hinako Suda’s practice strips the art-making process down to its most minimal materials and actions, mainly using spray paint on fabric and simple lines to create bold, whimsical works that depict the various ways life manifests in the human body. Suda graduated from Tokyo National University of Fine Arts in 2023 with a BFA in Oil Painting. Recent activities include the solo exhibitions “Seki wo Shitemo Hitori”, JINEN GALLERY (Tokyo, 2022); “Light(i.e. Not heavy.)”, JINEN GALLERY (Tokyo, 2021); and group exhibitions “Step on a chair”, Ginza Tsutaya (Tokyo, 2023); and “WELL JUNE”, moosey gallery (London, 2023), among others. Suda currently lives and works in Tokyo.
Hiro Tsuchiya
Born in Tokyo in 1987 where he is currently based, Hiro Tsuchiya’s works center around the theme of life and death, often juxtaposing micro and macro elements to draw attention to the profundity of daily life. Tsuchiya attended the Faculty of Economics at Hosei University until departing midway in 2010, and graduated from Tokyo Zokei University in 2014 with a BFA in Painting. He completed his MFA at Tokyo Zokei University in 2016. Major exhibitions include "Kyokai no Katachi", EUREKA (Fukuoka, 2023); "Landscape", KOKI ARTS (Tokyo, 2022); "Kotaro Inoue & Hiroo Tsuchiya: Storm Tharp, Mario Trejo", no-ma (Tokyo, 2021); “Winter Show”, KOKI ARTS (Tokyo, 2019); "FACT AND FICTION", SPRING/BREAK Art Show (New York, 2019); "The Crossing", and GALLERY EXIT (Hong Kong, 2018); among others.
Rika Minamitani
Rika Minamitani was born in 1998 in Kanagawa, Japan. She graduated with a BFA in Oil Painting from Tama Art University in 2021, and completed her MFA in Oil Painting at the Tokyo University of the Arts Graduate School of Fine Art in 2023. She currently lives and works in Ibaraki, Japan. Through her work, Minamitani pursues experiments in imagery that drift back and forth between the possibilities and limitations of the medium of painting. Minamitani was selected as a finalist for the 2022 CAF Award, and received the Tomio Koyama Award at ART AWARD TOKYO MARUNOUCHI 2023. Major exhibitions include "Silent Play", Tomio Koyama Gallery (Tokyo, 2023); "Brain Wash", Biscuit Gallery (Tokyo, 2022); and the group exhibition "Art Award Tokyo Marunouchi 2023" at Gyoko-dori Underground Gallery (Tokyo, 2023), among others.
Souya Handa
Born in 1994 in Hamamatsu and raised in Hiroshima, Souya Handa is an artist and independent curator based in Tokyo. His projects focus on exploring the relationship between technology and social ethics, as well as issues surrounding Asian and Japanese identity. He holds an MFA from the Tokyo University of the Arts, as well as a MASc from the University of Tokyo, where he researched 1980s Japanese video art. He has been selected as a New York Fellowship grantee for 2024 by the Asian Cultural Council. Handa currently lives and works in Tokyo.
Taro Maruyama
Born in 1991 in Kanagawa Prefecture, Japan, where he is currently based, Taro Maruyama combines ready-made objects and wood carvings to make absurd, humorous sculptures, as well as ceramics. Maruyama completed his doctorate in sculpture at the Tokyo University of the Arts in 2021. Major exhibitions include "Fue to Chiheisen wa Sora no Kanata ni”, Higashi Kasai 1-11-6 Warehouse A (Tokyo, 2024); "Reversible Suspense/Zutto Ii Kanji no Omoide", TAKU SOMETANI GALLERY (Tokyo, 2021); "Yuuka Ishii and Taro Maruyama: ENCOUNTER", Mitsukoshi Contemporary Gallery (Tokyo, 2022); "Under Current", Powerlong Museum (Shanghai, 2021), and "TAION", Aoyama Spiral, (Tokyo, 2021), among others.
Tomohiro Muramatsu
Tomohiro Muramatsu was born in 1988 in Aichi Prefecture, and is currently based in Kamakura. Muramatsu’s works depict scenes that remain in our subconscious and emotions that are realized through introspection. By taking a bird's eye view of living things in the natural world, Muramatsu attempts to interpret the layering of time, the interconnectedness of each being, and the coexistence of life and death within shared spaces. Major exhibitions include "I can see something strong there", Decameron (Tokyo, 2023); "INTO THE BLUE", Unlike (Nagoya, 2020); "Hakushiki", Unlike (Nagoya, 2013); "Engyoku", PI Gallery (Nagoya, 2013); "Seitou", Gallery Point (Tokyo, 2013); and “c/o”, THE PLUG (Tokyo, 2024).
Ryota Watanabe
Born in 1998 in Saitama, Japan, Ryota Watanabe completed his master's degree at the Tokyo University of the Arts of Fine Arts in 2023 and is currently based in Tokyo. Watanabe’s works are a combination of the pure act of painting and the vandalistic act of applying and scraping off paint using self-made cutter knives and tools, creating a canvas which holds the traces of both disparate actions. While he pursues the essence of what painting can be, he also paints portraits and landscapes that serve as reflections of the times. His painting technique follows the existentialism of artists such as Lucian Freud, whose brushstrokes exude vividness and richness, and Alberto Giacometti, who stripped away elements in order to pursue the pure essence of things. Watanabe’s contemporary take on past artists is a challenge towards the post-cubist history of painting, as well as an attempt to update it. Recent exhibitions include "Reflection (Times)", SOM GALLERY (Tokyo, 2024); "Horizon", roidworksgallery (Tokyo, 2021); and the group exhibition "DRAW LINES & SHAPES IN MY MAPS", T&Y GALLERY (Los Angeles, 2024).
EXHIBITION
「Eudaemonia」
Aug 24 — Sep 22, 2024
VENUE
- URL
- http://www.gallerycommon.com/
- 住所
- 東京都渋谷区神宮前5丁目39−6B1F
- 開館時間
- 12:00 — 19:00
- 休館日
- Mon・Tue
- 入館料
- 無料