Benoît Piéron’s solo exhibition “Fabric softener”
TARO NASUでは9月13日より、ブノワ・ピエロン「Fabric softener」を開催いたします。
ブノワ・ピエロン | Benoît Piéron 1983年 イヴリー=シュル=セーヌ生まれ。現在はパリにて制作、活動中。 近年の主な個展に、2024年「Benoît Piéron : Étoiles ou Tempêtes」Le Magasin, CNAC、グルノーブル ; 「Pudre de Riz」 Sultana、パリ; 2023年「Slumber Party」Chisenhale Gallery、 ロンドン ; 「Delicious Monstera」 Mumok、ウィーン ; 「Get Well Soon (Prologue) 」Ormston Housem、リムリック ; 「der pinkelnde tod」 Kunstverein Bielefeld、ビーレフェルド; 「Avant l’orage 」Bourse de Commerce、ピノー・コレクション、パリ; 「uMoya: The sacred Return of Lost Things」 リバプール・ビエンナーレ, リバプール ; 「Exposé.es」 パレ・ド・トーキョー、パリ ; 2022年「Illness Shower」Sultana、パリ; 「Horizones」Fondation Pernod Ricard、パリ ; 「Bandage」 galerie du Haïdouc à l’Antre Peaux, ブールジュ; 2021年「Deux drapeaux」Une Belladone, L’alcôve、パリ;「VIH/sida, l’épidémie n’est pas finie」 2021年Mucem、マルセイユ; 「Plaid」 シテ・インターナショナル・デザール、パリ ; 「Mort is more」 Brasserie Atlas, ブリュッセル; 「Seconde peau, soft walls, patch.e.s & soap, Open Source Body」シテ・インターナショナル・デザール、パリ、他。国内では2014年に開催されたグループ展「コンダンサシオン:アーティスト・イン・レジデンス展 ― エルメスのアトリエにて」において作品を発表している。
Benoît Piéron is an artist who elevates his personal experiences into universal narratives, exploring themes of humanity and society, life and death, through the lens of his own memories and sensations. Having spent his childhood in pediatric wards, Piéron was intimately acquainted with the harsh realities of life and death. The imagination he employed as a child to cope with this reality has since become the foundation of his body of works. One of the characteristic features of his works is the harmonious use of soft, vibrant colors, a reflection of the hues found in hospital sheets. His bat-shaped soft sculptures, which can be seen as his alter egos, are tied to his experiences with blood transfusions and the vampire fantasies that those experiences inspired. The bed, an everyday object that is familiar to most, holds a deeper significance for Benoît. For him, it is not only a place of rest and recovery but also a nexus between life and death. In this sense, since the bed serves as a central element within the world of his art. Even the familiar household curtain, when considered as a hospital curtain, draws attention to its fragile role as a barrier between the individual and the vast world beyond. In Piéron’s artistic universe, the curtain becomes a visible symbol of how the interior is perpetually threatened by external forces. Yet,at the same time, within the delicate space enclosed by the soft fabric, boundless imagination is nurtured, allowing for the weaving of dreams that sometimes feel more tangible than reality itself. Through his work, Piéron also reveals the resilience and strength of imagination and hope, elements that may appear fragile but are, in fact, remarkably enduring and flexible. Cooperation & special thanks to : Olivier Renaud_Clement
![Benoît Piéron, “Étoiles ou Tempêtes” [Stars or Storms], exhibition view at Magasin CNAC, Grenoble, 28 June—20 October 2024. © Magasin CNAC, Courtesy of the artist.
Photo: Grégory Copitet From left to right: Benoît Piéron, Plante de salle d’attente (Dypsis lutescens), 2022, Courtesy of the artist. Collection Frac Bretagne; Paravent, 2021, Courtesy of the artist. Collection Fonds d’art contemporain – Paris Collection.](https://do44unsuk05ca.cloudfront.net/images/public/announcement/N-4b4d56a5-14b2-463f-9dde-f642da5658e1-66e0ef19c2b1d9.95330795/gallery/I-b380fc06-1108-4b5a-a0f4-07f4ac99bd81-66e0ede01eb005.59497670_750.jpg)
